Deborah Kerr had Hollywood calling after her starring role in 1947’s “Black Narcissus,” the gothic horror from filmmaking duo The Archers, Michael Powell and Emeric Pressburger. Oblogatory explores why this film still rings out 75 years later.
Oblogatory reviews Brian De Palma’s “Blow Out,” with John Travolta. See how it syncs up to Antonioni’s “Blow Up.”
Oblogatory explores the history of the PG rating, how it’s changed, and why movies rated PG were more intense in the ’70s and ’80s.
Oblogatory watches “The Umbrellas of Cherbourg,” the color-theory obsessed, retina-overstimulating French musical that inspired “La La Land.”
Oblogatory confronts the overblown legacy of Francois Truffaut’s excellent film “The 400 Blows,” one of the classic examples of French New Wave cinema.
Oblogatory loves dark comedy and ’40s screwball antics, so why does “Arsenic and Old Lace,” starring Cary Grant and Peter Lorre, leave a funny aftertaste?
Oblogatory reveals its ten favorite Disney animated movies for the studio’s 100th birthday. Read it now before it goes back in the vault!
Oblogatory continues exploring dark comedy with the riotous 1961 classic “Divorce Italian Style,” a movie whose humor is so caustic, you could dissolve a body in it!
“Some Like It Hot” has surged back to the forefront of cultural relevance after nabbing 13 Tony nominations and winning Best Actor in a Musical. Oblogatory rewatches the 1959 film to find out if this jazzy comedy is still as fiery as advertised.
Oblogatory watches Woody Allen’s greatest comedic work, “Annie Hall,” starring Diane Keaton. Far from old-fashioned, this movie is neat!
ChatGPT 3.5 also reviews “Annie Hall,” in a “John Henry Vs. The Machine” type duel.